I want to take Chingy’s Holidae In and gender reverse the roles, something along the lines of Law Revue Girls’ Defined Lines. As I can neither rap and laughably have moves that no way indicate my decade of dance lessons as a child, someone else should get on that toot suite.
TheHusband asked me how I was doing with the social media sabbatical, I found myself answering honestly — I kind of have not missed it. Oh sure, there have been times when I want to just brain dump and Twitter is a natural fit for that activity or there are times when I find this really awesome link and I can’t really share it excent on my weekly roundup, which doesn’t quite have the same satisfaction.
Before I took the sabbatical, I was often finding myself posting a link or a quote from somewhere and spending more than say 2 or 3 tweets giving my opinion on the matter. Which is, frankly, kind of useless giving the context of how Twitter works. Someone coming in on the middle of me bestowing random commentary would be confused. I was churning how to handle this since I recognize this is not Twitter’s intent and that I often get cross when others do the same trick. I came up with linking, asides of things I want to share but do not want to get buried in the weekly round-up.
I’ve started Clarice Lispector’s Near to the Wild Heart and it is beyond exquisite. I injected half the book in one sitting last night and had stop because I was getting woozy on a Lispector overdose. She adroitly does things to language and words, even in translation from Portuguese to English that is just breathtaking. I am having trouble reconciling that it was published in 1943 as it reads so contemporary. Reading Lispector is breathing flames under the muse for me and I’m reconsidering how to write fiction.
I’m terrible at fiction. I always feel so damned constricted when trying to form the rules of the game, my writing comes out halting and unsure. I’ve got brilliant ideas for stories, I see the stories in my head as they are played out but getting them onto paper? No. The ease of my language sounds immature and protracted. Sure, you could argue if I practice more it would mature and grow and there is some truth into that. But I think because I’ve been reading tightly bound prose for so long, I’m near drunk on Lispector’s stream of consciousness and realising that yes, this is how you do it. This is how you give birth to a story and how it will end.
Feral. Unstructured and messy, like life.