Several years ago, while working at $corporate_bookstore, I came across Confessions of a Jane Austen Addict by Laurie Viera Rigler which promised a fresh perspective in the Jane Austen paraliterature canon. I had been burned before by authors who use Austenmania as the foundation for their work, usually bogging themselves down by trying too hard to emulate Austen instead of just using her or her work as inspiration. What I really adored about Confessions of a Jane Austen Addict was that it didn’t seem to fall into the same tangles and missteps as other Austen inspired novels: the writing was contemporary and not fake-Georgian/Regency era, story was well paced, background was well researched, the comedic errors were indeed funny and above all else, I really liked the heroine Courtney Stone.
I could relate, which is hugely important when writing chick-lit, to the heroine’s experiences and I could also identify with her. This is really where Rigler excelled: she wrote chick-lit without making the heroine vacuous or implausible and she stayed (more or less) true to Austenesque style, which is where 90% of Austen regenerators fail.
One of the advantages of working in a bookstore is that you usually have your finger on what is going in the world of books and publishing much sooner than the general public, which was fantastic for me since I could keep atop on my Austen paraliterature better than the Austen blogging world. Having not worked at $corporate_bookstore since January of 2009, I’ve not been as diligent at finding new authors and books. Thus when finding out Rigler had written a parallel novel, Rude Awakenings of a Jane Austen Addict, to tell Jane Fairfax’s side of the story, I was intrigued and hopeful. If Confessions of a Jane Austen Addict was fabulous, how much more awesome would be Rude Awakenings of a Jane Austen Addict?
The answer is: Not so much.
If you haven’t read Confessions of a Jane Austen Addict, here is a quick recap: Courtney Stone, 21st century Angeleno, finds out her fiance is cheating on her and breaks up with him. Stone’s passion is everything Austen (natch) and after days of obsessive reading/watching/listening, she smacks her head while drunk in a pool and wakes up in Georgian era England (Austen’s period) in the body of Jane Fairfax. Courtney has her own personality/memories, she also must contend with the memories of Jane Fairfax. Hilarity, anachronisms, misunderstandings and love ensues (obvs).
While Confessions of a Jane Austen Addict concentrated on 21st Courtney’s story, Rude Awakenings of a Jane Austen Addict would tell of 19th century Jane Fairfax in the wilds of L.A. The premise then, is that while Courtney fixes Jane’s “life,” Jane too must fix Courtney’s “life.” Supposed hilarity, anachronisms, missteps and love ensues. Everyone goes home happy.
While I liked the idea and the concept, the execution was not as well done as Confessions of a Jane Austen Addict. Rigler tries too hard to bridge the misunderstandings of a 19th century girl in a 21st century world, but the whole thing fell apart for me. I thought Rigler could have had a lot of fun with this, but the situations and problems she throws Jane in seem to be too conceptualized and trite. (Jane stumbling about as she learns about modern living for EVERYTHING LITTLE THING was stifling at best.) What I wanted, and what the premise of the book foreshadowed, was a young woman who had been oppressed for years, finds her own voice and freedom. Instead, she falls into the same trap as every other damn heroine in chick-lit.
In the end, SHE MARRIES THE FUCKING MAN! What would have worked is having Jane/Courtney come into her own, find her own footing, become a 21st century woman, make her passion (drawing) into a career. She doesn’t. Instead, she flounders for a few weeks, has everything taken care of for her by a man (just as in her past “life”) and learns nothing about freedom or independence. Wasn’t the point for Jane to fix Courtney’s life, thus by ensuring “Courtney’s” ability to stand on her own two feet and becoming her own person?
I was also confused as to what moral message Rigler was attempting to give here, surely if she is attempting to project that Jane/Courtney understands that things are different in the 21st century (as such Courtney/Jane discovers about 19th century in the first book), so are the mores of women. However, Rigler doesn’t do that, instead she just throws in some proto-feminist crap, makes weak argument about the sexual life of today’s woman and then drops it.
What the hell?
I adored Confessions of a Jane Austen Addict because of all the reasons I stated at the beginning of this review, but the Rude Awakenings of a Jane Austen Addict was nothing more than a huge mess. Rigler could have a had a lot of fun with this book by using Jane/Courtney to give a fresh perspective of 21st century life via a 19th century set of eyes. Instead, the text is a muddled piece of vacuousness with unbelievable and creepy characters1.
Also, the leading man? Wes? Man has no balls or spine but he DOES come from money, so obviously this fixes everything. If you want fun, read Confessions of a Jane Austen Addict and forget that the second book exists. I think Rigler has a lot of talent, I’m hoping Rude Awakenings of a Jane Austen Addict is not indicative of her future works. If so, well, she needs to find another shtick because this 21st century girl won’t be buying.
1. Deepa creeped me out — I didn’t find her to be “helpful” or “guiding” Jane towards the answers, for surely, that is what she was supposed to have been doing. Again, another character whose life was made simpler by a divorce from a man with money – how fitting. Rigler seems to be saying here, then, that the only way to true happiness is to marry a man with money. Because obviously, our sister suffragettes struggle for over 200 years means shit.
Tag: Reviews: Books
To: Read: One Day
You’re going to read this book and know at least one thing: That the end won’t end happily or tied up in a big pink bow and that tissues will be needed. This is David Nicholls we are talking about here, where his endings are never simple nor do they tie together at the end to make the reader happy. No, the book is about the author and the challenge to the reader to believe – whether or not a story of a friendship between man/woman over 20 years can make it without sounding like a rip off of “When Harry Met Sally” or some other derivative, trite plot line. The story is gorgeous and IT IS believable. You can feel Emma’s frustration in her letter writing, the pooling of the grease on her nose and Dexter’s legendary trim backside and feel the heat of his hand on your ass. Nicholls knows how to capture that fine line of realism without being overtly descriptive and to not use the description as mere filler for the novel. The plot, the snapshot one day every year into the lives of these two people, is also incredibly clever. Watching Dex and Em (Em and Dex, together forever), grow up, fall in love and struggle with that idea of love over the course of 20 years is painful, hilarious and heartbreaking all at the same time.
Nicholls has a way with prose that you cannot put the damned book done – it’s like they injected heroine or crack into the binding of the book. I was so desperate to finish the book that I stayed in a black car in 95F heat while my aged mother was shopping because being 2 hours away from the book was painful. The night before, I was up to 4am because I couldn’t imagine falling asleep while there was more Dex + Em to get through. I finished the book in less than two days, reading at diners, coffee shops, parking lots, and until my eyes were bleeding from lack of sleep.
The reviewers who said this was chick-lit are wrong, it’s not even lad-lit. There is no happy ending and no moral or tale or lesson to take from it. The guy does not, for the sake of argument, get the girl. It’s, simply the snapshot of the lives of two very ordinary people and their extraordinary relationship. And it is also one of the better written books in the last few years. THIS, that feeling of having to finish the book before anything else was to take place is the feeling that all writers should aspire their readers to want to feel whilst reading their book. Writing in the last few decades has become almost unbearable dreck with a few jewels thrown in – particular in American writing. If you’re not writing some fake existentialistic-esque material with a vaguely catchy title, then you won’t be read. And that’s a shame because Nicholls, being a Brit, will be mostly ignored by the American audience who will attempt to liken him to Nick Hornby which is like comparing Jane Austen to a Bronte: There are similarities, yes, but they are vastly different. And if you don’t love it, then you are simply Un-American.
To: Read: Jane and the Unpleasantness at Scargave Manor #everythingausten
One of my, um, “hobbies” is that I’ll occasionally google authors/books/characters/worlds whatever and see if there is fan fiction for a particular pairing, no matter how bizarre or unlikely that pairing may be. Then I get obsessed for hours reading the wretched details of say Lizzy Bennett (from Pride and Prejudice) is having sex with Captain Jack Harkness from (Doctor Who/Torchwood), moments after she’s already, supposedly, banged Darcy.1 Paraliterature, which is to say materials derived from their original works but reworked/reedited/completed with additional new elements, is a twin sister to fan fiction, but in a much more structured and in some cases, academic way. Where as one can write about Draco Malfoy having sex with Hermione’s nose2 and publish it on their blog or fan fiction website, paraliterature usually requires vetting in the form of research, editors and physical publication. Another way to look at it is that paraliterature is usually in a physical book format, typically novel length while fan fiction tends to languish on the internets. And another confusing aspect of this? Paraliterature is fan fiction, but not all fan fiction is paraliterature. Right now, this is how I understand it and my definition is pretty fluid. For the rest of this piece, I’ll use “paraliterature” in the context of the above definition.
With all that being said, I love Jane Austen paraliterature. I love the idea of her stories being continued, of her unfinished books being completed and of the reinterpretations of her novels. Jane Austen paraliterature has been around for nearly 100 years, according to The Republic of Pemberley, with the publication of Old Friends, New Fancies in 1913, but it’s been in the last 30 or so years that it has really skyrocketed to a whole new level. 3 I knew, then, that finding materials to read for the “Everything Austen” challenge would not be terribly difficult. I discovered Stephanie Barron and her “Jane Austen Mystery” series when I was working at $corporate_bookstore a few years ago. The books were never HUGELY popular4, but they did occasionally sell and the concept, I thought, was clever: Friends of Barron “discover” via happenstance letters/materials, secreted away in the family’s cellar in the Colonies (America), apparently having been written by Austen herself. And lo’ and behold! Austen is a sleuth! The family demurs to Barron, gentle reader, as the editor and keeper of the volumes instead of donating the material to Oxbridge or anyone of note. Each JA Mystery, then, is a portion of Austen’s “diaries” that Barron has “edited” and published for public consumption. Like I said, clever idea. While the series has spawned 10 books, with the 10th one (Jane and the Madness of Lord Byron) coming out in September, I realise the first few books would be a little rough and that it would take a few books for Barron to get her writing chops in order. But there are some picayune points that kind of drove me nuts that I wanted to address:
- Barron claims that she wrote Scargave Manor before any of the J.A. books were made into films – for someone who has an incredibly impressive resume and worked as a CIA intelligence analyst, apparently she forwent her research skills – JA material has been on the silver screen since 1938. There has not been a decade since when something of Austen’s was not made in some capacity, so while yes, Barron’s publication of her first book was timed well with the release of BBC adaption of Pride and Prejudice, she was not the first person to write paraliterature nor did she start the fires for Austenmania.
- Verbal anachronisms: Barron has the fictional Austen saying “fiddlesticks” a lot, which is more reminiscent of Scarlett O’Hara than of Austen (or of any Austen characters). Fiddlesticks, as an exclamation (according to the OED), made an appearance once in 1600 and was not seen again until the 1840s, decades after Austen dies. In addition to “fiddlesticks,” Austen is doing a lot of “espying,” which also according to the OED, has been long obsolete before Austen’s time, this is not something she would have said. There were also a few others, but these stuck out in particular.
- Repetitiveness of phases: In the book, Austen (or a minor character) cannot possibly have X issue because it cannot “be born.” Fictional Austen is also running around doing a lot of “espying” (see above) on people (typically as “espied,” so always in the past tense).
- The servant’s speech, regardless of where the servant is from, is ALWAYS Cockney. I hope Barron learns later that not all servants come from East London.
- Barron uses a variation “It’s a truth universally acknowledged” in some format, which drives me NUTS in paraliterature, particularly in materials that are spin-offs rather than rewrites or completions.
- The killer is announced in the first paragraph, in the last chapter which to me signals a classic rookie mistake. You never announce who the killer is in the last few paragraphs because you’re essentially telling the reader: “Hey, don’t read my stuff! Don’t use a few braincells to figure out WHODUNIT! Let me feed you the answer and save you the trouble!”
- Unnecessary minor characters with similar names. This is nothing but filler, right thar.
Barron suffers, at least with this book, from the delusion that more flowery the language is, the closer it must be to Austen’s time. I also hope in future tales she calms down a bit on this aspect of the story. Many (not just Barron), it seems, think that JA’s time is distant enough that Modern English was still in its infancy when in actuality, they are confusing Modern English with Contemporary English5. ME has been around since the time of Shakespeare (Elizabethan – Late 1400s) but CE has only been around since the Industrial Revolution (1850s)6. The distinction is not so much how English is used but growth of vocabulary, verbal usage, and structure. The older English gets, it seems, the more erudite it becomes.
Okay, I’ll stop pontificating. Overall: a decent read. Not fantastic, but not awful either. The story flowed, mostly, and despite my above criticisms, I did not feel bored or impatient with the book. I did, however, felt that the overlap between drawing JA out as a fictional character and Barron’s attempt to emulate Austen prose kept swapping the driver’s seat. I wasn’t quite sure what voice Barron was attempting to write in and that did get confusing. The plot seemed to dip in and out of consciousness, some of the characters seemed weakly drawn while others were extremely vibrant. Barron DOES have tremendous skill at writing and what parts she was lacking in with creativity she more than made up for in talent. Would recommend with a caveat that it is the first book in a series and might be a little rough. Am extremely hopeful that book two will be much more fleshed out.
1. Yes, this pairing does exist. If you google it, it will come.
2. This also exists. See, what I do for my readers?
3. For a wonderful list of JA paraliterature, The Republic of Pemberley has wonderful list, sorted by book as well as searchable, complete with reviews.
4. Clearly Jane Austen is not as fetching as a sleuth as Stephanie Plum or as a Cat.
5. Technically, CE is not an “official” term since the CE period referred to is known academically as Late Modern English, but most people’s eyes glaze over so I just define it as Modern English and Contemporary English.
6. For the sake of argument, I’m referring to what is known as the second industrial revolution but is more commonly known as THE industrial revolution.
Everything Austen II: The Jane Austen Challenge #everythingausten
Bath, England
Her popularity is so huge that when I traveled to England in 2008, there were two things I had to do: Visit the For Your Eyes Only: Ian Fleming and James Bond exhibit at the IWM and lodge in as many Jane Austen locales as humanly possible. My friends Andy and Charlotte, whom I stayed with on this particular trip, graciously drove me to various points around south east England to get my fix. They even suffered through a talk at the Jane Austen Centrein Bath for my benefit. True friends will suffer for anything with you (and hide the bodies later). Andy and Charlotte also lived within minutes of Basildon Park, which was the location of Netherfield in the 2005 adaptation of Pride & Prejudice1, and I had to suffer through Andy’s mockery of holy that is Jane Austen and P+P as I toured the estate. But then again, Andy continually mocked just about everything I did on that trip because he loves to remind me that my country is mere toddler to his country and I’m easily and suitably impressed with any structure, monument, or bridge over 50 years old. In America, if it’s over 50 years old, it must be knocked down and the space made into a car park. Yes, apparently England is up to HERE in castles.3
You may remember that book-thing, Pride and Prejudice and Zombies, which came out in the spring of 2009? The mash-up of the old and the new has spawned a whole new industry and it’s not even just the mash-ups, it’s also the paraliterature, retellings (Clueless, Bride & Prejudice and cannot forget, Pride and Prejudice: A Latter-Day Comedy (Yes, it IS a Mormon version!) – which I willingly did watch.), action figures, t-shirts, and the list goes on.
P+P and Zombies did not start the paraliterature trend, not by a long shot, but it DID push to public Ms. Austen’s popularity beyond that of Janeites and English Lit majors the world over. However you wish to explain Ms. Austen’s renaissance in the 21st century, it does go without saying that one could read/watch/listen to a plethora of retellings/mashups/adaptations/etc and not run of things to do for a very long time. When I stumbled across the Everything Austen II Challenge a few weeks ago, I knew this would be a perfect opportunity to organize my obsession a bit better. Goal: Pick any six Austen things (books/paraliterature/movies/audio/etc) and read/watch/listen to them between July 1, 2010 and January 1, 2011. Because there is so much, and I also read/watch/listen rather quickly, I’m fattening up my list to more then six items because I want to take pleasure in this for quite some time.
To Read:
- Jane Bites Back by Michael Thomas. [Finished much more quickly than anticipated, so not a legit entry.] – Finished 6/18/2010
- Pride and Prejduice: The Graphic Novel by Jane Austen [Marvel produced, this came out shortly before Xmas 2009. I’m super excited about reading this.]
- Rude Awakenings of a Jane Austen Addict by Laurie Viera Rigler. [Read the first one, Confessions of a Jane Austen Addict, and thought it well written (For once. Most writers of JA paraliterature are too busy on sex0ring Mr. Darcy over actually writing a decent sentence) and funny.] – Finished 08/08/10
- Pride and Prejudice and Zombies: Dawn of the Dreadfuls by Steve Hockensmith. [Read the first few pages and it’s MUCH, MUCH better than that other one.]
- Northanger Abbey by Jane Austen. [It is the ONE complete novel I have not finished. I\’ve started it a dozen times but always get distracted and the book gets tossed aside.]
- Lady Susan/The Watsons/Sandition by Jane Austen. [I’m marking this as one entry instead of three since these are usually bundled together. My copy was destroyed in the Great Basement Flood of ’08, so this is an excuse to get another copy and finally READ them.]\r\n
- Lady Vernon and Her Daughter by Jane Rubino and Caitlen Rubino-Bradway. [A “completion” novel of Lady Susan.]
- Lost in Austen: Create Your Own Jane Austen Adventure by Emma Campbell Webster. [Have had this one sitting in the TBR pile for ages, so finally figure out what/whom I would end up with/as.]
- Jane Austen Mysteries
- Jane and the Unpleasantness at Scargrave Manor: Being the First Jane Austen Mystery – Finished 07/14/2010
To Watch:
- Pride and Prejudice (1940), with Laurence Olivier as Mr. Darcy and Greer Garson as Lizzie. [With a tagline of, “The Gayest Comedy Hit of the Screen! Five Gorgeous Beauties on a Mad-Cap Manhunt!,” it will surely be hard to resist.]
- Sex and the Austen Girl. [A webseries based off the work of Laurie Viera Rigler.]
To Listen:
- Old Harry’s Game. [A BBC comedy radio show, Harry is actually Satan and the series, based in Hell, revolves around Harry\’s relationships/conflicts and tensions with his minions and the damned. J.A. is played as a foul mouth creature. Can’t wait to listen!]
Updated: 07/14/2010
1. In the holy war of the 2005 vs 1995 version of P+P, I’m firmly in the camp of 2005. Before someone starts squawking about the “integrity” of the 1995 version and how “true to the book” it is, let me remind one and sundry that there is not a single effing scene in the book describing Mr. Darcy’s exit from the lake. SECONDLY! Having re-read P+P after watching 2005 and 1995, 2005 is MUCH CLOSER to the book than 1995 version. Besides, K.K. is much “truer” to Lizzie’s spirit than Jennifer Ehle.
2. Grabbed P+P and Z when it was first published and tried desperately to read it. DESPERATELY is as close of word I can come up with because it is essentially JA’s writing worked around some awful “writing” that is to allude that if P+P had Zombies, this is how it would go. But the book is awful not because it’s a mashup but it’s awful because Seth Grahame-Smith delivered a great idea but an awful execution. What’s obvious is that he “attempted” to imitate JA’s voice but he fails madly at doing so so instead of having a blended work that is to be “80% JA and 20% SGS” comes out as “100% dreck.” Having started on the prequel, Pride and Prejudice and Zombies: Dawn of the Dreadfuls, which is far and away 1000 times better than the P+P and Zombies, this is the one I recommend for JA paraliterature/mashup over that other one.
3. Nod to Eddie Izzard for that one.
reviews: books: When Will There Be Good News?
One of the reasons I adore Kate Atkinson so much is that her books are mysteries that you didn’t know were mysteries until the very end. She has a writing style that I have found to be fairly unique. Her prose tends to border on stream of consciousness and twisted plot lines, but doesn’t come off as being too presumptuous or even at times, wordy. Her gift is for creating characters that are not always what they seem and at the same time, are fully formed and believable. Her latest book, When Will There Be Good News? imagines a world where Joanna Hunter (in the now) is re-visited by the horror of her past, her family (mother and siblings) brutally killed when she was six in front of her. Thirty years later, the killer is paroled and Joanna suddenly disappears. The question then becomes, is Joanna Hunter the innocent she has portrayed after all these years?
This is the third book by Atkinson that features Jackson Brodie, a character she created in Case Histories, who has re-appeared in her previous book, One Good Turn. Ex-solider, ex-policeman, Brodie is now a retired millionaire whose own faults seemingly are also his weaknesses. Brodie, who this time around plays a subtle minor character in the drama as it unfolds, seemingly is one step away from the realities that surround him. What he desires and wants, is what we all desire and want an yet for Brodie, everything is almost out of reach. As with her other books, Atkinson has a gift for sly observation and reporting on and grasping the intricies of the human condition that so many of us either can’t grasp or want to forget.
When Will There Be Good News? is a taut novel but this is the first of her books I have found to be a little bit more messy in the wrapping up of the plot. Things happen, and to Joanna Hunter, Reggie Chase and Jackson Brodie, they seemingly happen for a reason. We root for them in ways we cannot think we would, and we excuse them of their flaws but it is in their flaws (Brodie’s and Hunter’s) that seemingly were a little too gapping to make believable. But in Atkinson’s own problems with the writing, it is also her greatest strengths. Atkinson’s books are not “skimming” books, you really do have to pay attention as she will throw out a word or a line of dialog that suddenly makes some prior related instances, much more sense. Once she throws that word or line out, it will not be repeated or revisited. Miss that key, and the book will not be as good as you think it could be.
I adore her plot twists and devices as it makes her books wholly full filling. I love the fact that everytime I finish one of her books, I can revsit it at another date and find something new that I missed the first time. I adore the fact that she asks questions that may not always have the easiest answers and her answers (and questions) are not presumptious or overworked. Pick up any of Atkinson’s works and you will not be disappointed — she’s not as well known in the States as she is in the U.K., but while this is not her strongest book, this will hopefully push her over the edge.
reviews: books: The Girl With the Dragon Tattoo
I work in a bookstore and this arrived as an ARC several days before the promotional material, and thusly the hype surrounding it, arrived. I had no idea upon grabbing it that it was to become of falls “hot new reads.” That’s my story and I’m sticking with it.
The back story is this: Stieg Larsson, political journalist and activist in Sweden, completed a trilogy (with The Girl With the Dragon Tattoo being the first), which were eventually sold to a publisher. Shortly before the publication of the book, Larsson died of a massive heart attack in 2004. Rumours of his death as not being natural have been swirling, which perhaps have lent greater mystique to the series. The books were published to great acclaim and became international bestsellers. The Girl With the Dragon Tattoo was released in the U.S. in September, 2008.
Mikael Blomkvist, a middle-aged journalist/activist, has been found guilty of libel for a piece he wrote against Hans-Erik Wennerström, a corrupt Swedish industrialist. Blomkvist, known for his insightfully and well researched pieces, leaves his old life defeated and broken. He is contacted by Henrik Vanger, an aging patriarch of a well-connected family to help him with one thing: Solve a 40 year old mystery of the possible murder and kidnapping of the patriarch’s beloved niece while working under the guise of researching the Vanger family history. In return, Vanger will hand over evidence to Blomkvist that will nail Wennerström to the wall for good.
What follows is a twisting, complex and at times horrifying, thriller that scourges to the bottom of human nature. As Blomkvist continues to dig into the history of the Vangers, and discovering what actually happened on that fateful day in 1964, the more of the family horrors began to surface.
There is a reason why the book was originally published in Sweden under the title, “Men Who Hate Women.” Larsson is graphic in his descriptions and at times, the brutality of what he describes is off-putting. One one level, are we really all that innocent or are we just oblivious to what happens around us? Are some family histories better left buried or will redemption come if they are unearthed? One would like to think that not all humans can be as bad as apparently some of the Vanger (and other minor characters laced neatly through the book) can be, but on the other, we hear and see about these horrors in our daily news consumption.
Larsson addresses many themes in his novel, good versus evil, love and redemption, self-sacrifice and luck versus chance and fate. Lisbeth Salander, the girl with the dragon tattoo, has been discussed as an unforgeable character and enlightened character who works with Blomkvist on researching the mystery. What has happened to her, in her life, is as equally shocking and despairing as what occurred within the Vanger family – but Salander is not a victim and she despises those who, in her mind, are regardless of situation and circumstance. She is a woman whom on some level we all want to be and yet on another, repulse from.
The Girl With the Dragon Tattoo will pull you in and and keep you hooked until the very last page. Some of the same reviews mentioned early stated that they found the ending incomplete and wholly unsatisfying. On one hand, I can see why that would think that, Larsson’s intention for a trilogy (hopefully the next two books will be available in the U.S.) leaves a lot of things unsettled and unfinished. But do not let that dissuade you from reading this novel, it will make you think, act, hope and hug your loved ones close to you.
reviews: books: Librarians engaging in “personal intercourse.” #librarydayinthelife
- 8:30: Up, walk the dogs, shower, and get ready for the day
- 9:45: Leave and take Mumsy to the doctors
- 10:15: Leave doctors and grab breakfast
- 11:20: Drop Mumsy off, grab stuff for the afternoon
- 12:00-15:00: Interview two ref librarians and then study for the remainder of the time at the downtown branch of the library
- 15:00-15:45: Come home, walk the dogs, drop off some stuff and grab additional stuff for the evening
- 15:45-19:20: Drive to Holland, get hair did and head back to GR to the library
- 19:20-20:55: Study at the downtown library
- 21:00- now: Eat dinner, walk the dogs, do Mumsy’s laundry, wax eyebrows and catch up on email/Internets stuff.
- 00:00: Roughly – bed!
Let it be known that librarians apparently have a very dirty sense of humour. How so, one may ask? In one of the textbooks that I’m currently reading for a class, the author suggests that “librarians engage in
personal intercourse with clientèle in order to improve services.” The quotes around “personal intercourse” is included in the book and the quote is a direct quote from the text. I have gone back and re-read that sentence numerous times in the last few days because I have the maturity of a 12 year old boy and that he (the author) MUST have some idea of what he’s saying? Right? No, he doesn’t. The text continues for several more chapters in this totally dry and academic tone. Dude, C’MON!
I’ve started collecting, in a manner of speaking, books on or about librarians, regardless of their usage — whether academic, fictional or what have you. I found The Dewey Decimal System of Love the other day and after reading the description AND reading the first chapter online, I knew I had to have it. This despite the fact that almost every reviewer talked about how horribly wretched it is. But I read the first chapter and thought, “It can’t be THAT bad” and ordered it anyway.
I’m vaguely regretting the decision.
WIthin the first few pages of the chapter, our heroine Allison (“Ally” to her friends — which tends to get confusing when her goddaughter is also named Ally (after her of course) and the author refers to both as “Ally” on the same page…), is visiting her best friend and her family when the said best friends announces that Ally MUST try breastfeeding the best friend’s son. Say whowhatsit? Now, Ally (the elder) is 40 years old, hasn’t had sex in 15 years (something she repeatedly tells you, you know, in case you have forgotten from the last mention several sentences ago) and has never had children. Her best friend keeps insisting Ally MUST try it as it will form an impregnable bond. And the best friend insists that her husband has also has tried breastfeeding the kid, ergo, Ally must try too. So, the 40 year old almost but not quite a virgin does what is set up to do: Lifts her shirt and pops her breast into the kid’s mouth. Not only does this image disturb me but it also renders me to ask, WHAT THE FLYING FUCK WAS THAT ALL ABOUT? It has NOTHING to do with the book or the “plot,” so who in their right mind thought this was effing necessary to include?
Clearly, I’m disturbed enough by this image to pass it along to you.
You’re welcome.
The book, overall, is as bad as described, but it is misleading in that the first few pages offered online are not as terrible as the book suggests it is. The author, Josephine Carr, gives the heorine the stereotype of the “uptight and yet sexy librarian” complete with glasses perched on pointed nose, long tumbling auburn hair that is consistently held up in a French twist and body that is taunt but aging. (She is 40 after all.) Ally, of course, falls in love with the conductor of the local symphony and plots her way to getting into his life (without his wife’s obvious notice, of course) while engaging in “harmless” flirting with her boss, who happens to be overly gorgeous and into Ally — even though after working together for 15 years, he has yet to ask her out or etc. We all know how the book is going to end, one doesn’t have to skip to the final chapter to get to that part, but with a book called Dewey Decimal System of Love, what the hell was I expecting?
Here is to hoping that Casanova Was a Librarian, albeit an academic book, will not prove to be as disappointing. I hope.
Now Listening: Girl Talk – Give Me A Beat
Now Reading: The Dewey Decimal System of Love by Josephine Carr
PFT Book Club: An introduction and a Review (#3): Vile Bodies
Many moons ago, when Justin and I were dating, we got on this kick to read the entirety of the Modern Library’s Top 100 Novels, of which we completed a scant few. Somewhere in my packing is the original list that I printed out nearly a decade ago. And over the years and many hours of classtime later, I am no closer to finishing the list now then I was then. So when Justin and I got back into contact a few months ago, we struck up our original deal to do a bookclub, but this time, the rules were going to be different. We decided to call ourselves the “Pretentious Fuck Twit Book Club” or PFT Book Club for short.
Each month1, one of us would make a selection from our bookshelves, the other would have to buy/loan a copy out and we’d read and discuss the works. The point of this bookclub was several fold:
- To expand our reading tastes into things we may not normally read
- To plow through our bookshelves and read the books that we’ve been meaning to read for ages
- To find the most pretentious work available as our selections2
The first selection, for the months of June/July was Tom Jones by Henry Fielding. This I selected because of it’s relationship to Jane Austen (supposedly) and its relevancy to British literature (debauchery at its finest!). Justin finished the book, I only got 200 pages in and was subsequently bored to tears, so we called this one good.
Justin’s selection, which we finished in under a few weeks (which was to be August’s selection) was God Knows by Joseph Heller. This one I adored — funny, satirical, sexy, and clearly Heller was a huge influence on Christopher Moore for his book, Lamb: The Gospel According to Biff, Christ’s Childhood Pal. Reading God Knows has piqued my interest in reading more Heller, primarily Catch-22, which I’ve never read.
Now, I have a B.A. in English, a M.A. in Humanities, I work in a bookstore and I’m going to be starting my M.L.I.S. degree in a few weeks — so one could reasonably say that I’m well read. One could say that and one, for the most part, could be awfully wrong. Despite my training and my interests, for an English major, there is scads of classic and contemporary authors that I have not read: Hesse, Dostoevsky, Pynchon, Vonnegut, Steinbeck, Faulkner, Wodehouse to name but a few, and for the next selection of PFT Book Club, Evelyn Waugh.
Waugh is one of those authors whom I keep coming to again and again as someone I should be reading and just never got around to actually doing so. I choose Vile Bodies because it is one of his lesser known but vaguely famous works, there is an awesome movie adaptation of the novel by Stephen Fry and the premise sounded right up my alley.
Vile Bodies, written in 1930, is Waugh’s tribute and satire of the London smart set near the end of the Roaring ’20s, of a generation that was glimpsed so briefly and yet was so influential on so many other works that were penned during the period and after. The story revolves around Adam Fenwick-Symes (a penniless writer) and Nina Blount (daughter of an eccentric aristocrat) as they become engaged and un-engaged depending on the status of Adam’s fortune, which literally changes by the minute.
Rousing out the cast are the friends and acquaintances of Adam and Nina, whose own lives change and upheaval are all taken with sighs of disinterest and complete boredom. But the twist in the book is the facade of their lives and the breaking down on their door by sheer reality — they have become spinning tops of a generation that could (and would not) last only to have the reality of the real world come crashing in upon them. As the characters begin to die off, literally almost one by one, and as others go on to other perhaps more grown-up lifestyles, Adam and Nina find themselves almost stranded, alone, in a world that they were once ruled as king and queen.
When their own world starts to impolde, so the the outside world when another world war calls Adam up to action. The story starts and ends in medias res, and it is for that reason alone that the novel feels incomplete. You get a sense of the period and the culture of the time, of the reality verses the inner workings of the world that beholdens Nina and Adam but I didn’t feel like the story was actually resolved.
However, in lieu of that, Waugh was a master as creating secondary (and tertiary) characters that were fleshed out and held their own in terms of personality and lifestyles, and could have stood alone outside of Nina and Adam, on their own terms. You want to believe that there is more to their lives than just parties, drinking, gossip and debauchery and even when there isn’t – you don’t seemingly care, just as they don’t seemingly care. You’re intrigued by the type of world they inhibit, you want what they want but you seemed aghast to realise that what they want seems so very shallow, but because of who they are and what they do (nothing), that seemingly justifies their very existance. But it’s more about money and standing, peer relations and marriages, it’s a way of life.
The public then was just as fascinated then with the hobnobbings of the upper crust as we are today of the goings and comings of royalty and celebs. Waugh was not the first to lampoon the social set he grew up and mingled with, nor will he be the last. But if you’re looking for something that became the defacto standard of that lampooning that would influence generations after him, he is your man.
Would also recommend the following if your interest in Waugh is piqued: Freddy and Fredericka by Mark Helprin and Snobs by Julian Fellows.
1. We said “month,” but after Tom Jones, we’ve been plowing through our selection every week or so, so we’re are incredibly ahead of schedule.
2. Most of my stuff is still packed and at the rate we’ve been going, we’re pulling future selections from stuff that neither of us own and want to tackle.
Reviews: Books: Break, break of dawn
Unless you’ve been living under a rock for the last few years, Meyer’s series is being touted to become “the next Harry Potter.” Where as in HP you had this fantastical world that was built upon mythology, legend, and folklore that essentially breaks down to good versus evil, in Twilight, it is a convoluted twist on the trusty Romeo and Juliet story, and like HP, is made contemporary. Other than the plot and storylines being radically different, there are also two very important slight differences between HP and Twilight: Twilight has enough sexual tensions, longing, desire and drama to cater to every 15 year old teenage girl’s inner sanctum in their heart of hearts (HP has the teenage angst of first love in the later books but it’s damned near chaste and virginal compared to the apparent “searing” heat in Twilight) and secondly, Twilight is so poorly written that it makes HP look like high brow literature.
But I’m getting ahead of myself here.
Continue reading “Reviews: Books: Break, break of dawn”
house of leaves
kara was mentioning on emphamail about this book House of Leaves and how it’s fucking with her mind. ana was talking about it as well. All the time I keep thinking “goddamn it, that book looks/sounds familiar” and sure enough, buried under my other ‘to read’ books was said book.
I’ve started reading and yes, it does fuck with your mind.
frightening.