Collectioun of Cunnynge Curioustes for July 19, 2014

Johann Georg Hainz's Cabinet of Curiosities, circa 1666. Courtesy of Wikimedia Commons
Johann Georg Hainz’s Cabinet of Curiosities, circa 1666. Courtesy of Wikimedia Commons

During the Renaissance, cabinet of curiosities came into fashion as a collection of objects that would often defy classification. As a precursor to the modern museum, the cabinet referred to room(s), not actual furniture, of things that piqued the owners interest and would be collected and displayed in an aesthetically pleasing manner. Collectioun of Cunnynge Curioustes is my 21st century interpretation of that idea.
 
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You can follow me on Pinterest on what I’m readingwatching, and listening.

Reading

Finished

Raising Steam by Sir Terry Pratchett
(Amazon | Worldcat | GoodReads)
What I love most about Pratchett is his fantastical ability to create a Discworldian history over the probable cause of a “thing” that we have always accepted as part of our reality. The history of rock and roll, banks, postal service, newspapers (to name a few), and now the steam revolution have all been given a history with a very Pratchett twist to them.
But here’s the thing that finally dawned on me as I read Raising Steam – PTerry has always, ALWAYS been a shower, not a teller. Witty dialogue, great character development, fantastic descriptions, and footnotes that would melt your heart are the reasons why he is one of the few authors I continue to pre-order their books. But something is shifting now — I noticed it in Dodger where things didn’t seem quite on the up and up with his writing but I couldn’t figure out WHY. And the more I got into Raising Steam, the more I realised what was missing — PTerry is becoming a teller. Less on the witty dialogue and character development, more on a “here is a few paragraphs to cover what is needed for this particular scene.” PTerry’s “embuggerance,” as he calls it, is starting to show its mettle.
There is enough soul of the man who writes to make the words fly in the way they need, and to make the story come alive. But it is a little less shiny. Little less bright. A little less, well, him.
Cakes and Ale by W. Somerset Maugham
(Amazon | Worldcat | GoodReads)
tl;dr Cakes and Ale  is proof in the pudding dead white dudes could write whatever the fuck they want and have it hailed as literary masterpiece, even when it is utterly beyond crap.
Review
I picked this book up a couple of months ago and it has been the bane of my existence as the more I read, the more I hated it. It is poorly written and badly edited, with random thoughts dropped into the middle of scenes that do not make any sense to the story or plot. For example, near the end of the book while discussing the character, Rosie Driffield, in question, the narrator suddenly decides this would be a good time to go on a two page bender on the withal of telling a story in first person narrative. Then as suddenly as he leapt into that thought, he leaps back into his discourse of Rosie’s admirable/questionable qualities.
The book is littered with jumps like this. There was 30 pages leveled on the discourse of beauty, what it meant, how it was applicable to life, who got it, and who didn’t. Another 10 pages on the virtues of a secondary minor character who doesn’t show up until near the end of the book. Roughly 20 pages was spent discussing the attributes of a another character who never actually shows up later in the story.
Maugham name checks of the day famous literary talent, real and imaginary. He draws comparison between his protagonist, William Ashenden, and these literary giants and whom you realise is really a stand in for him. He fangirls over so many famous people, it gets kind of embarrassing.
The crux of the story is William Ashenden, the narrator, is asked by Alroy Kear, another London literary snob, to help him with his research on writing a biography of recently deceased late-Victorian author, Edward Driffield. Driffield’s wife, the second Mrs. Driffield, wants any mention of the first Mrs. Driffield, our supposed heroine Rosie, to be erased from Edward’s history for she was an amoral character to the ninth degree and whose influence over poor dear Edward nearly killed him. 
With this set up, one would think the whole of the story would be the bringing to life, discussion, and telling of Rosie Driffield’s relationship with Edward. Rosie is mentioned in the beginning of the book briefly and then it’s not until another 200 pages later she’s brought into focus again and then carried out. It was as if someone had said to Maugham, “Yo. You are far off plot here buddy, rein it in!” And he did.
The whole of the book is to examine the snobbery and the often absurd social mores of the late Victorians and later, the Edwardians, and how these attitudes were affected and perceived. I get that, I do. But in that vein, the book is so poorly executed I spent a lot of time wondering what the fuck I was reading. I checked the synopsis on the back of the book so often to verify that what it said was actually what I was reading and not something else entirely.
It is well documented Maugham had issues with women, as he often saw them as his sexual and affection competitors, so his women are often described and treated as if they scum on shoes because of their sex. It is also well established Maugham, despite impressive number of novels under his belt, is at his best as a short story writer. With that in mind, I would recommend you stay the hell away from Cakes and Ale. I cannot in good conscious even conceive how this book gets so much love because of how flawed it is from start to finish. It is not even coherent, and yet! Yet, the mere existence proves that a dead white dude could write anything and have it called a literary masterpiece.

Watching

  • You, Me, & Them
    An adorable and quirky show staring Anthony Head (Giles from Buffy) and Eve Myles (Gwen Cooper on Torchwood) as a May-December couple who have recently moved in together and struggling with the demands not only of their relationship, but also the demands of their respective families. Frothy and fun, I was pleasantly surprised by the series. Series 2 is coming soon!

Weekly watching: The LeftoversTrue Blood, Rectify, Halt and Catch Fire, A Place To Call Home, Last Week Tonight with John Oliver, Cosmos: A SpaceTime Odyssey, Elementary
What have you read/watched/listened to this week?
x0x0,
lisa

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Collectioun of Cunnynge Curioustes December 21, 2013

Johann Georg Hainz’s Cabinet of Curiosities, circa 1666. Courtesy of Wikimedia Commons

During the Renaissance, cabinet of curiosities came into fashion as a collection of objects that would often defy classification. As a precursor to the modern museum, the cabinet referred to room(s), not actual furniture, of things that piqued the owners interest and would be collected and displayed in an aesthetically pleasing manner. Collectioun of Cunnynge Curioustes is my 21st century interpretation of that idea.
Dear Internet,

Reading

Cocaine Blues: Phryne Fisher Mysteries #1 by Kerry Greenwood
(Amazon | WorldCat | GoodReads | LibraryThing)
Status: Finished
The first book in a long series that inspired the show Miss Fisher’s Murder Mysteries, is currently available for free on the Kindle via Amazon. Since I had become obsessed with the show, it seemed natural to check in on the book series to see how it lived up.
TV and book series are pretty on par with the other. Action is high, Phryne is pretty similar in both medias, and but the character development. with the exception of Phryne, in the book series is lacking whereas the TV series feels more well thought out. Phryne is a very visual character, her frocks and accessories are very detailed in the books, as is more of her backstory is explained, but the rest of the book characters seem kind of stale in comparison to their TV counterparts. I know there had been some complaints about Detective Inspector Jack Robinson (secondary character in the books, primary in the series) and the changing of some events in the book series to the TV version actually made the storyline slightly better and still satisfying.
While I found development of the characters a bit weak, the storyline seemed abrupt at times, I am rating this a 4/5 for technique, research, and content. I also loved how Greenwood walks you through elements of the mystery without spoon feeding them to you, which is echoed in the TV version as well.
Very enjoyable and fast read. Highly recommended.
Dodger by Terry Pratchett
(Amazon | WorldCat | GoodReads | LibraryThing)
Status: Finished
A departure from Discworld, Sir TPerry takes us on a romp through the early days of Victorian London, where Charles Dickens is a journalist prowling the underbelly of streets, Prince Albert is still alive, and we’re introduced to a wealth of characters that seem almost unreal and yet, they very much are.
As most of you know, I’m a huge fan of Sir TPerry, but this book was hit or miss for me. The backstories of early Victorian London, the dialogue, the slang, the characters were all true to life. While I appreciated the nod to Dickensian themes and word styling, but there still felt like something was detached and it’s driving me crazy that I cannot put my finger on it. I read this in spurts of 50-75 pages, putting it down, and then picking it up months later for another 50-75 page spurt. The last spurt happened in a 1.5 hour long bath because I was desperate to finally finish it.
This book would be  a great companion to anyone interested in a fantasy set in reality (as Sir PTerry puts it) of early Victorian Age or who wants to get into Dickens without reading Dickens. Sir PTerry is a great storyteller and that is still evident here and while I feel he was incredibly passionate about Dodger and his companions, the magic was slightly off and a bit hard to swallow.
This Year You Write Your Novel by Walter Mosley
(Amazon | WorldCat | GoodReads | LibraryThing)
Status: Finished
I’m going to disagree with much of the middling and negative reviews about this title.
If you’re serious about writing, why would you dismiss something that would and could be of great help to you? Especially from someone who is as esteemed as Walter Mosley? Doesn’t that seem ridiculous?
Like most writers, I collect, read, thumb, and tag writing reference titles to keep on hand and to get guidance. Mosley’s title was recommend to me from an artist friend who thought its straight to the point advice given in bite sized allotments would be attractive to me and he was right.
Sure, yes, you can listen to CBC Writers and Company (one of the best writing podcasts out there), subscribe to a zillion magazines and newsletters, and read blogs and websites to get advice. But while some of that information is helpful and at times useful, distilling through the noise to get to the actual meat of matter is exhausting. This is why Mosley’s works is important – it gets rid of all the high falutin pretentious twaddle that seems to crop up in most writing manuals and advice how-tos and gives you the real deal.

Snobbery with Violence by Marion Chesney
(Amazon | WorldCat | GoodReads | LibraryThing)
Status: Finished
Marion Chesney/M.C. Beaton has a formula that regardless of which series or persona she is writing in, is always in play: Barely existing plot, overly pulled sexual tension between the leads, content the depth of a 1″ puddle, and story devices that are thrown against the wall and then forgotten. Having read much of the Agatha Raisin series, while knowing it was to be frivolous fun, I grew bored because Aggie (don’t call her that if you value your life) never seemed to grow as a character. It was always the same shenanigans, book after book.
With this being said, I picked up the Edwardian Mystery series by Chensey/Beaton as I grow increasingly interested in this time period I’m on the lookout for contemporary titles written about this period and this is one of the few contemporarily written series currently available.
Chesney/Beaton doesn’t disappoint. You have your “oh she’s supposedly so well educated but portrays herself as a half-wit” heroine who comes from exceedingly good stock; the mysterious and fallen main male lead who “oh really publicly hates the heroine but secretly loves her” and yes, it’s all very predicable and cliche-y.
There is no stretch in the research or imagination here, and if I had not been well attuned to Ms. Chesney/Beaton’s writing style from before, I would probably like the book even less but you know, at the end of the day, it’s a frippery of a read that while it may not have educated me, it did keep me entertained.
2013 List | In progress

Watching

  • Masters of Sex
    The season finale and much is left to the open for interpretation on what is going to happen and where the show is going. I really adored this show – and it was one of the few shows in our weekly repertoire I would demand to watch live. There is certain detachedness to the show, and some of the characters are written flat, but I do love this show. Michael Sheen as the uptight Dr. Masters is a delight.
  • A Place to Call Home
    TheHusband and I have mainlined this show in its entirety. Complex, thought out, well drawn drama about early 1950s Australia. Complicated relationships, characters, and the setting is gorgeous.
  • Miss Fisher’s Murder Mysteries
    Season 2 kittens, season 2!
  • Survivor
    It’s finally over. Thank fuck.

Weekly watching: BBC Tudor Monastery Farm, Reign, DraculaProject Runway All-Stars, Breathless, Atlantis,  Elementary, Marvel’s Agents of S.H.I.E.L.D., Sleepy Hollow,   Boardwalk Empire, Doc Martin, QIPeaky Blinders,  Sons of Anarchy,  The Vampire Diaries
What have you read/watched/listened to this week?
x0x0,
lisa

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