Johann Georg Hainz’s Cabinet of Curiosities, circa 1666. Courtesy of Wikimedia Commons During the Renaissance, cabinet of curiosities came into fashion as a collection of objects that would often defy classification. As a precursor to the modern museum, the cabinet referred to room(s), not actual furniture, of things that piqued the owners interest and would be collected and displayed in an aesthetically pleasing manner. Collectioun of Cunnynge Curioustes is my 21st century interpretation of that idea.
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Johann Georg Hainz’s Cabinet of Curiosities, circa 1666. Courtesy of Wikimedia Commons During the Renaissance, cabinet of curiosities came into fashion as a collection of objects that would often defy classification. As a precursor to the modern museum, the cabinet referred to room(s), not actual furniture, of things that piqued the owners interest and would be collected and displayed in an aesthetically pleasing manner. Collectioun of Cunnynge Curioustes is my 21st century interpretation of that idea.
Mark Williams plays the titular character, a wily priest who solves crimes in his Cotswald parish. Three seasons are now out and I’ve been bingeing on them during down time.
Mr. Selfridge
Jeremy Piven plays the titular(I like this word, okay?) character that’s now starting its third season in the UK (to be shown in the US later this spring). Lots are going on now that we’re at the end of WW1, but I won’t divulge due to spoilers.
Billie Piper plays Belle, a high class sex worker, who starts at the beginning of the series with a nice flat that she splits between work and play, who navigates her way through the private sex worker world. I binged the entire series in a week and I really liked it. I liked how they had her slowly progressing over her rather humble beginnings and ends up being one of the best sex workers in London. Some things were never really addressed such as her relationship with her family and several main characters came on and were then, within a season, gone. All in all, I would definitely recommend if you need something fluffy to take the edge off a hard week.
BBC’s lavish production based on Hilary Mantel’s best selling book about the rise and fall of Thomas Cromwell. This is also going to show up on PBS later this spring, so again, no spoilers. Overall, the production may be sumptuous but I’m finding it slow and rather boring.
An Amazon original that’s winning awards, I am torn about this show. Many of my trans* friends are unhappy with the production because a trans* person is not playing the main character. I get that, but this is about the beginning of their transformation, so it makes sense to me that it’s a non-trans* person in the role. The show does have trans* characters played by trans* people and there are trans* folks also act as consultants for the show, so that does mollify it a bit. Overall, there is no one character that is likeable and everyone seems to be pretty dreadful (seems to be the new thing in H-wood) with no redeeming characteristics. It’s simply, “okay.”
Another Amazon original, Gael Garcia Bernal plays a wild yet genius conductor who is hired by the New York Symphony to make it more relevant. There is conflict, passion, and absurdity abound, but it feels a bit staged and formulaic. But I really liked it, despite it’s pretentions. Produced by Jason Schwartzman, same dude who did Bored to Death, it’s got some dark humour sprinkled in which I do adore.
Justified
Boyd Crowder is baaaaack. ‘Nuff said.
Galavant
It’s four week, eight episode has ended. For a musical, I really, really liked this show. Like a lot. I loved the modern interpretations of the costumes, I adored the pop culture references, and how the show was one giant ball of satire. I cannot wait for the second season.
10 episodes of what was essentially a Warehouse 13 meets Night at the Museum, it was neither serious but wasn’t really that great either. I know it raised the heckles of some librarian friends because no one apparently had a MLIS, but for what it was, it was good background watching.
