WIP: July writing schedule

Dear Internet,
It’s mid late Sunday afternoon and we’re still up at Throbbing Cabin. TheHusband and I are teaching ourselves how to relax and he’s doing a fine job of it at the moment if his snoring is any indication by cleaning the gutters and other yard work.
Me, on the other hand? I‘m actually working but it’s the kind of work I love to do so it is actually fun, not work. Following him around the perimeter of the cabin with the shop vac on my shoulder so he can suck up all of the last years worth of leaves from the gutters.  And isn’t this what the whole adventure was to be about in the first place? 
Fuck. I was tricked into doing yard work.
Moving on. I am not allowing myself feel guilty for not getting much writing work done my first official week into this new venture. Domesticity had to be done and so it was and now that I have a sort of rhythm going to my day and making heavy use of my calendar, I’m sort of figuring out what direction I’m going in.
That’s my story and I’m sticking to it. When I’m not being tricked into doing yard work, that is.
Today’s writing task was to sort through all of my scraps stored on Google Drive and Dropbox, consolidate them and remove the duplicates, then import non-journal based things into a Scrivener project I manage for such works I titled Story Ideas. Story Ideas is my launching pad for all of my fiction writing as any idea, line, scrap of something lands up here and organized into one of seven main sections, Book Ideas, Story Ideas, Stories in Progress, OuttakesResearch, Scrivener Projects (projects with their own Scrivener project file), and Completed.
Most of this is pretty self-explanatory except perhaps for Outtakes which is chunks of writing I’ve removed for whatever reason and did not want to trash and Research, which is links to things I want to dig into more but not sure what for just yet.
This task turned into the rabbit hole of all holes as I have folders inside of folders in various places across Dropbox and Google Drive. I’ve now made a ToDo item to dig more to figure out what each piece is (journal entry? prose? short story? something else entirely?) and sort it out later. Everything that could easily sorted today got moved into Scrivener to keep it all in one location.
Right now the stats are

  • 46 story ideas (various states)
  • 16 book ideas (mainly first few chapters, synopsis, and related material)
  • 8 short stories in progress (most are near completion)
  • 8 notes in Research
  • 4 completed short stories
  • 2 existing Scrivener projects

This does not include all the notes I’ve made in paper journals or index cards not yet transferred, notes made in SimpleMind for an Icelandic saga cycle I’m working on, or what other treasures are still lurking on my drives.
(If this all sounds impressive, it is and isn’t. I had no idea the sheer amount of prolificness BUT  a lot of it is dreck. I’ve got NaNoWriMo projects dating back to 2001 (and novels started as far back as 1999) that are very clear indicators of what I was into at the time, which isn’t the same as I am into now. 95% of this will probably never see the light of day as it’s pretty bad, thank fuck.)
The big thing I need is accountability, because this current organization in its natural chaotic state is a hot mess.
At the beginning of the month I’ll put up my writing plan and at the end, summarize what I did. I’m not going to do word counts (yet) because I have no idea how to apply it realistically. From June 28th – July 5th, on the blog alone, I cranked out 9, 724 words over 13 blog posts. That’s not including work I’ve done on note taking, story editing, and anything else since I don’t have those numbers. So word counts are out (for now).
Additionally, TheHusband wants to see some kind of timeline of my work progress so he knows when he needs me to crack the whip or for me to calm the fuck down. All very civilized in our household.
Behold! Projects for July:

  • Launch lisarabey.com finally
  • Plow through current library loans and ARCs from NetGalley and get reviews written
  • Collate notes on the Edwardian mystery, continue with research, and get most of the structure sorted
  • Start fleshing out 45th parallel story
  • Finish or shelve in-progress short stories and submit completed ones
  • Get Vol 1 of secret Kindle project completed and online
  • Continue note carding ideas / quotes / etc for future projects

Is this a lot? It feels like a lot but at the same time it feels like I’ve barely scratched the surface of what I feel what needs to be done.
When I check in 25 days, we’ll see how it went!
xoxo,
Lisa

This Day in Lisa-Universe: 2003

Writer How To: my writer website part ii

Dear Internet,
On Sunday I talked about what authors should (and shouldn’t) have on their websites, yesterday I broke down the branding, design, and infrastructure of my own author website, and today I am going to discuss main navigation and why I set it up this way, child pages, what’s left to do on my author site, and base plugins you should use for your own WordPress site.
Here is the landing page of my author site again:
lisarabeycomlandingpage
Let’s take a look at the main navigation, homebiofictionother writingblog, and contact. Each of these links are to the minimum pages an author should have as I mentioned on Sunday.
Home will bring you back to the main page.
ProTip: If you include an image header on your page, make it a clickable link back to your main page. This way if people get lost in your site, they have an easy way to get back to the beginning.
Bio will contain the short and extended about me along with a headshot of some kind. 
Fiction will contain all the fiction work (short stories, novels, novellas, etc) with links to purchase or to read.
Other writing will link to mainly non-fiction and academic works. 
Blog will take you directly to EPbaB.
Contact will take you to a contact form.
ProTip: I’ve heard both sides of the story on whether or not to keep a contact form. One argument is that it creates a barrier with your readers, can get confusing, and you’re not entirely sure if the form was sent or not. My personal experience, having managed websites other than my own with contact forms, is you’re more apt to get people writing in using the form rather than if you provide a simple email link. I will more than likely include an email link on the form itself to give people the option.
ProTip 2: Interestingly, the sites I looked at for Sunday’s piece had a lot of the writer’s putting their reps as the contacts but no way to directly contact the writers themselves. “For foreign rights, email joeschmoe@you.com. For media inquiries email yourmom@thejeez.com.” I thought that was interesting.
Let’s take a look at one of the child pages.
childpage copy
I’ve clicked on other writing. We know the link we’ve clicked on takes us to the right page by a few clues. The first clue is the word other writing in the navigation bar is now white instead of grey. Second clue is the breadcrumb shows us where we are, and thirdly, we have a header that tells us on what page we’re on.
As far as design goes, all the child pages will look identical to this one. We have our main navigation at the top so we can bounce around. Our header image from the landing page has been resized to fit comfortably and allow content without (much) scrolling. The right hand sidebar has the same content as the landing page sidebar. The main content box is easy to read and links are easy to find. Header text  is obvious and tells us what the page will contain. Lastly, we have a sharing bar that allows us to share the content across various social networks.
ProTip: I debated on having a share option on these pages since they will remain mostly static, but thought it might be useful if I write a trillion short stories and someone wants a printable version or share it with their BFFs across the social sphere. This is another plugin within Jetpack that allows you to cherry pick social networks you can share across. Plus I get annoyed when I find a page that does not have sharing enabled, so better turned on then turned off.
Now that we’ve got the main infrastructure in place and a design we like, let’s sum it up:

  • We have (potentially) cohesive design that works with my other sites
  • Each site is clearly identifiable of what it is and links to its brethren
  • The design and structure are responsive and mobilized
  • The layout and navigation clear and easy to use
  • Pages are well marked
  • Typography is pleasing easy on the eyes, link colors are bold

Over the course of a week I’ve put about five to six hours of work in with a couple more hours left to go. Since most of the work was design and infrastructure, the least bit is content which should take less time but in my case, I’m importing all the writing works over from EPbaB to the author site for consistency, so that’s taking a bit longer.
What’s left for me to do:

  • Fill out content of child pages
  • Flesh out widgets in right hand sidebar
  • Check for grammar and spelling errors as well as verb consistency
  • Tweak accessibility
  • Export over to live site

Now that we’ve got the site in place, content sorted, let’s talk about the base plugins we can use to make the site even better.

  • Jetpack for WordPress has over 30 plugins in one beautiful package. I use the following: contact form, custom CSS, enhanced distribution, extra sidebar widgets, JSON API, mobile theme, monitor, notifications, omnisearch, publicize, sharing, shortcode embeds, site verification, spelling and grammar, subscriptions, wp.me shortlinks, widget visibility, and wordpress.com stats. A lot of these plugins have variations available individually on WordPress’s site, but I like knowing that Jetpack is constantly updated, added to, and guaranteed to work with the latest versions of WordPress itself.
  • All In One SEO Pack Search Engine Optimization is how web crawlers find you, index you, and then report back when people are searching for you. While the metrics and math can get complex, you can significantly increase your traffic by following a few simple SEO rules. This plugin does the work for you. Here is why you should use it: a few months ago I was wondering what other writer’s sites looked like, so I did some basic keyword searching and found — nothing. Well, almost nothing. Today while thinking about the same search, I wondered if there would be a difference if I swapped out the term “writer” for “author” and the answer turned out be a surprising fuck yes. I also duplicated near same results in Bing.
    This tells me a lot. One, it tells me how Google (and Bing) are indexing content. Two, it tells me even if a writer type person doesn’t use the word “author” anywhere on their website, or metadata, to be indexed, Google and Bing still sort them out as “authors” and list them under that search term  but not under “writer.” The search engine derivatives of “writer” seemingly refer to magazines, goods, and services. So if you prefer the term writer to author, this could hurt you in terms of SEO. Now most people interchange author/writer, but there is apparently a difference with the gist referring to a writer as someone who technically writes whatever (just as a baker bakes) while an author is someone who comes up with the ideas and plans to execute the writing. Someone can apparently be both. Another argument is a writer is someone who is unpaid while an author is a paid professional.
    Whatever you believe or agree with, the bottom line is if you want to make sure you’re getting properly indexed, you need to use SEO to make sure all of your bases are covered so use author/writer in your SEO markup even if you use only one term in your content.
  • Breadcrumb NavXT The easiest and most complete way to set up breadcrumbs on your site.
  • Broken Link Checker Nothing more annoying than going to a site, clicking on a link and discovering it was dead. This plugin actively scans your links (internal and external) and reports back which links are broken and with what kind of errors. Super handy to use and makes your site look a million times more profesh since you can clean up errors and change links from across the site in a single page .
  • Google XML Sitemaps One way to make your site easily indexed by any search engine, on top of SEO, is by having a XML sitemap on the ready. This plugin generates a new XML sitemap based upon your specifications, which can get pretty in-depth. It automatically notifies Google and Bing of any updates.
  • Analytics How are people finding you? How many page views are you getting a day? How many visitors have you had? Jetpack comes bundled with its own analytics, but you may want to use another one or two more as not all analytics software are created equal. I use Google Analytics (which is part of Google Webmaster Tools) and StatCounter.

This has been a quick and dirty walk through on getting a simple author website up and running that is not only informative but eye catching as well. There is a lot more (isn’t there always?), but this should give you a good understanding of why things are done a certain way and access to tools that can accomplish your goals.
Cheers!
xoxo,
Lisa

This Day in Lisa-Universe:  2010

Writer How To: my writer website part i

Dear Internet,
It seemed only fair after I doled out all that advice yesterday, I should show you the money. I’m going to throw down my author’s website, software and apps I use, as well as design thoughts and more.
As I mentioned yesterday, TheHusband suggested I keep my author site separate from Exit, Pursued by a Bear (where you’re located at now) and my librarian site. I agreed. However, since I am going to have three sites to maintain, they all need to be consistent and relate to each other in some fashion.
A couple of years ago, I designed business cards using the image of three year old me holding a phone as the main graphic, which was also the main header image at EPbaB for a long time. The cards were a huge success when I handed them out and people easily remembered who I was later on. Since it was time to make new cards, I expanded on that idea and decided to use the same concept across my sites.
(If you click on the images, it will open up a new tab with a larger image for greater detail.)
Exit, Pursued by a Bear – Online Journal (Theme: Mon Cahier child)
EPbaBlanding
Cunning Tales From A Systems Librarian – Librarian Site (Theme: Elucidate)
profeshlibrariansite
Lisa Rabey – Writer (Theme: Arcade Basic)
lisarabeycomlandingpage
The only site I’m not 100% happy with is my librarian site, which I will futz more with later. There are also couple of other things I can do to make all three sites more cohesive, but the idea is there and I like where this is going. The Lisa Rabey Empire is coming to fruition!
Now that I know how I’m branding the author site, I played with the freely available themes at WordPress until I found one that would work for my needs and required as little hacking as possible.
ProTip: I exported a  year’s worth of entries from EPbaB and imported them into the test site to see how the theme handled a wide variety of posts and formating.
I looked for a theme that allowed: Custom header, adding breadcrumbs easily, two column so I could have a sidebar, and top navigation bar that wouldn’t get lost when you scrolled. I like white backgrounds with no textures, and I wanted something that was eye popping. It also had to work mobilized via the Jetpack for WordPress plugin. I settled on Arcade Basic.
ProTip: As someone who likes things quick and to the point, Jetpack for WordPress is one of the best plugins you could install and make your life insanely easy. I know a lot of my more advanced WordPress/coding friends are not a fan of this plugin for a variety of reasons, but as someone who wants no fuss, no muss and ease to use? This thing is a godsend.
When you land at my author’s site, you see a young Lisa with her pops as the landing graphic. There is a top navigation bar for home, bio, fiction, other writing, blog, and contact. Here is all the basic information I mentioned yesterday clearly listed and easy to find.
In the middle of the landing page is a box that says See More. When you click on it, it jumps down to the second half of the landing page where there is additional content (there is also a scroll bar in the right hand side if you want to use that instead).
ProTip: I’m not crazy about the wording of “see more” so I may just change it to something else, which will be easy enough.
lisarabeylandingpage2
Excuse my rudimentary Photoshop.
The navigation bar stayed in place when we hopped down the page, which is why even though I know a lot of people hate these giant graphic landing pages, I loved this one because you don’t lose your navigation.
The main content box is a quick about me / this site. There is also a search box, social media links, and a news feed.
ProTip: Having learned my lesson trying to maintain blogs across variety of sites, I found a work around that allows me to keep this site looking like it’s constantly updated without stress by using the Appearance->Widgets->RSS widget within WordPress. Every category and tag in WordPress has its own RSS feed, so I can pull a specific feeds to show up in this particular widget box. There is no limit to the number of RSS widgets you can use. For the news widget, I mark all my writing stuff under the “writing” category  on EPbaB and the feed is pushed on the author site. I do the same thing on the my librarian site, under recent posts in the sidebar, which has its own category for the very same reason.
To recap: I write everything on EPbaB and the RSS feed for a specific category are fed to specific sites based on feed name. If people are interested in the whole shebang of the blog, they can click on blog in the top navigation.
I wanted two columns because I need the ability to add/remove things as necessary for whatever reason without losing the main content box or forcing people to scroll to the bottom. When I get a newsletter up and running, books to buy, or whatever, it will go in the right hand side bar. Additionally, Jetpack has a feature that allows you to show certain widgets on certain types of pages for more customization.
Tomorrow we’re going to look at the main navigation and why I set it up this way, child pages, what’s left to do on my author site, and base plugins you should use for your WordPress site.
xoxo,
Lisa
P.S. As my author site is not live quite yet, but I do link to it, so if you find a broken link, that’s why.

This day in Lisa-Universe:

Writer How To: the writer’s website

Dear Internet,
This is a bit of a chicken and the egg conundrum: Do I write a bit on the launch my new writers’ site and then talk about what went into it or do I write about the influences and decision making  first?
I decided to go with the egg first.
One thing I wanted to get done immediately on this new career of mine, even if it was damned near empty, was my writer site. TheHusband suggested, and I agreed, that having a site dedicated to my work would make my life easier in the long run rather than trying to shove everything under the EPBaB banner or tossing it over in my librarian profesh site.
While I’ve always mentally noted what I’ve liked or didn’t like when I came across an writer’s site, I wanted to see what others thought. A couple of weeks ago, I started asking around the Internet what people liked / didn’t like / expected on their favorite writer’s websites. Do writers need one and if so, what should they include on it?
A couple of days later, Katie Dunneback asked the same thing with the intent to write a piece on the results. She and I more or less got the same responses which could best be summed up as:

Short answer: Yes. Everything but the kitchen sink.

Long answer:
(Italicized is Katie’s round up, non-italicized is my addendums)

  • Information about upcoming releases
    • Synopsis, book trailers, ways to get ARCs
  • Excerpts from past, current, and upcoming releases
  • Publication history about previously published works whether they are currently in print or not* – double points for printable (we librarians have patrons who still really prefer getting a piece of paper from us)
    • Sorted by format: Short stories, novels, novellas, and so forth. Also break out non-fiction work from your fiction work. If your work has been published online, links to to the work.
  • Reading order information for series* (this includes “you don’t have to read these in order!”) – again, printable
    • If you write under multiple names for multiple works, make sure the sites connect or list everything in one site
    • Also, book club information would be grand
  • Contact information* – Twitter, Facebook, Tumblr, other social media du jour, email (maybe I’d like to book you for a program if I were to book programs for my library), newsletter sign up link/form
    • At the very, VERY least, a newsletter and email form for contact. Many of my friends said they mainly follow people on Twitter, Facebook, Tumblr but like Katie points out, having email form for contact is great.
    • Newsletter is fantastic if you don’t plan on writing a blog or have a news page
  • Biography – @surlyspice suggests two: 1 brief and 1 expanded
  • Every cover that your book has ever had
  • Direct links to where to buy your books
    • Not just to your publisher, but also any retailer (online or brick and mortar) that sells them and or you want supported
  • Events /Appearances (online and off)
  • Influences or “you may like me because”
  • News page. Example: “I just sold the rights to Three Blind Mice to Germany — here is the new cover.” “I have a new story coming out in Fairytales Unlimited, you can read it here.” “I’ve been nominated for a Locas, Hugo, and Wednesday awards. Please go vote for me.”
  • Blog. If not integrated into your site, at least a link from your site to the blog, and a link on your blog back to your site.
  • Awards won and reviews
  • Periodically updated
  • Press kit (bio, selected list of works, professional grade headshot)
  • FAQ page
  • Easy to navigate, content is easy to read

The very bare bones site should contain: about (this site), bio (brief/extended), list of works, sorted by format; contact info. If you’re on social media, make sure to link to those sites. Same with a blog. Readers build relationships with the writers just as much as they do with characters of the stories they are reading. Some have said that the less they know about writer, the less likely they would be read more of their works.
With that in mind, I decided to poll the last 20 writers I have or am currently reading from my GoodReads account to see what I could find on their online presences. The genre classifications comes directly from GoodReads and I wanted to see if it had any bearing on site design or content. (Hint: It doesn’t.)
(If the embed isn’t working for you, you can view the spreadsheet in full.)
[iframe src=”https://docs.google.com/spreadsheets/d/1TXSjg2dqvbImUJ8MLo7Z3HVp6t6sXcMzwudrYP6EROA/pubhtml?widget=true&headers=false”]

  • 18 had websites
  • 18 had some sort of bibliography available, but five of those were only partial lists
  • 17 are on social media but only 10 actually linked to their social media accounts
  • 16 had an about page
  • 15 direct linked to buying their works online
  • 11 were built on WordPress
  • 11 had a contact page (not social media links)
  • 11 had a news or a blog
  • 6 had a FAQ page
  • 6 had newsletters
  • 2 had a link to donate / tip jars

A million years ago, Kristin and I started a research project on the online presence of public libraries in Michigan and the stats were kind of along the same vein. Libraries bitching no one is using their online services, but libraries aren’t putting the work into building their virtual front door.
I haven’t even dug more into SEO, branding, marketing, and maintenance of the sites either which by looking at what stats I have available now, would be a complete nightmare to untangle.
Some of you are looking at the list at the very beginning and are thinking, “Fuck. That is a lot of work.” And you’re right, it is. But being a writer these days is a lot more than sitting down and spinning stories. My pal Saladin Ahmed recently quipped that he felt like he did more administrative work for his writing than actual writing work — and he’s a 100% right. I’ve been writing for years, but as I start unraveling the pandorica of submission, editing, publishing, and more, my todo lists now have todo lists. Now I have to schedule time when admin work is done versus writing time is done.
Look, I get it. A lot of people think the Internet is a fad, some don’t give a fuck, and even more think it’s a waste of time to have a new fangled website. Or they don’t want to spend the money, the energy, or the time. But as a reader, a writer, and a librarian (not in any preferential order), I can tell you with surety if I can’t find your work, if  I can’t get a list of your books without looking at the back mater of a printed copy, or you don’t have a Wikipedia page, how in the fuck do you expect the people you’re writing for to find you?
If you want your work to be read and you want to build a community around your work, you need to have an online presence and you need to keep it updated. You can’t fuck around anymore thinking having only a Facebook fan page (like Helen Fielding) is enough or that your sparsely, outdated website is sufficient. As a reader, I want to know more of what you wrote. As a librarian, I want to get printed lists of your works to my patron. As a writer, I’m looking at your practices as to whether or not model my own after yours.
Anyone with any level of technology can create a website these days. You can knock out a pretty professionaly looking site with Tumblr or WordPress.com in a few hours if you don’t want the pains of going tits to the wall and buying a domain and hosting plans. And then spend a few hours a month making sure it’s updated with all of your current work and news.
If you’re not willing to put the time in to get your work out there, how do you expect your readers to do the same?
xoxo,
Lisa

This Day in Lisa-Universe: 2013, 1999

Taking A Gap Year To Write A Book

Dear Internet,
A few weeks ago, I teased there was a big announcement coming, and I am finally in a position to make that announcement:

I’m taking a gap year to write a (fiction) book(s).

Come July 1, 2014, I will officially have the new status of “writer in residence.”
Many of you, hell most of the population probably already knows this since I’ve had to tell people privately for a variety of reasons over the last couple of months, but I wanted something official and concrete on paper. I was holding out until I got the official rejection from the job I interviewed for in April1. I was also holding out until I could get in touch with a few close friends so they knew before it became a Facebook status update. I was able to make that last final personal connection on Friday, so here we are!
Here are some of the big questions I’ve been asked: How did I get here, what am I writing, and what is happening with library land?
How did I get here?
This is all TheExHusband’s idea.
Truly.
He’s known me forever (nearly two decades) and he knows the ultimate goal in my life was to write books. While he’s pretty supportive of my ideas, he also knows me well enough to know I can only handle one big thing at a time; whether that thing is a job, writing, or getting a degree. I’ve conceded long ago I’m not someone who can multitask big projects easily. Before I left my job at UUNet in 2002 to go back to university full time, I had signed up, attended classes, and either dropped or failed out of three colleges. If I wanted my undergrad degree, it had to be THE ONLY thing — I could not work full time and go to class. Once I made it the only thing, then I sailed through it with a breeze (while amping up my GPA from 1.7 to 3.3).
But you know, life happens. It always happens. I had an opportunity to write full time in between degrees, but choose not to because I wanted cash in the pocket,as I was tired of being broke, more than my dream. I had a second opportunity after I graduated from library school and I was on that dreadful job hunt where I applied for 114 jobs over 8 months before landing at GRCC. TheHusband bargained if I could not get a job within 100 applications, I could write full time. I pushed on to 114 as we had just moved to Grand Rapids and boom! Job at GRCC.
“I’ll write part-time,” I said. (Look how well that turned out.)
For the last year, I’ve been in big debate about whether or not to accept the contract when it came up for renewal. Six months ago, I found out they were not renewing my contract and if I wanted to keep my job, I had to reapply just like everyone else on the open market. In January, I knew for sure I was not going to reapply for the position. After making that decision, I started the arduous task of the job hunt version 2.0.
Even during mania, I would get crushed under the soul sucking weight of job hunting and with each opportunity came along, I did not feel elated — I felt like I was being ripped apart. TheHusband and I sat down and ran budget simulations, figures, and possible outcomes across a wide variety of scenarios. Right after I phone interviewed with the California institution, TheHusband came to me and said, “Why not take a year off to write?” His reasoning was it would be much cheaper for us to stay put while I wrote, where we could maintain our current lifestyle (with some heavy regulation), without putting us in massive debt. I lept at the chance. And mentally felt like I lost a massive weight on my soul.
Since we made this decision two days before I was scheduled to fly out for my second interview, we decided if they offered me the job and it was beyond fantastic, I’d take it. Anything else, we would not accept or if I was passed on the position then I would go forth and write.
What am I writing
I’ve got numerous projects already lined up:

  • I’ll be co-editing a non-fiction book on lib/tech/gender issues that is slated to come out next year #fingerscrossed
  • In the fiction realm (which is why I’m taking the time off), I’ve got two books in process (one of them my edwardian series I’ve been keen on for the last three years to finish), and one, possibly two, anthology of short stories based on two different cycles
  • Graphic novel
  • Other projects / ideas
  • Freelance work

TheHusband and I spent some considerable time putting together a business plan (not a typo) on how create, manage, and also make passive income while I’m writing. I still need to work out a schedule, and we’re thinking of getting space at a local a co-working joint. There is a lot of back end work that needs to be done in conjunction while I write.
What is happening with library land
Or more to the point, “What happens if you fail miserably and everyone hates your books?” Easy: I’ll go back into librarianship. TheHusband and I have not defined what it means to be successful yet, but the low bar is any kind of income I can generate from writing. Then who knows.
I’m still very much want to be on the pulse of the profession, so for many of you, it will be like I’ve never left. I’m keeping my memberships and plan to still be active. I’ve got a few projects that I will be working on, but as for the day to day stuff, I won’t be there.
This is already getting far lengthier than I had anticipated, so expect more tidbits and updates on this to continue.
But I just want to say, to those whom I’ve already told and whose support was not even a teeny bit wavering on this new path: THANK YOU! Seriously, I am floored by how supportive people have been. I love you all!

Taking A Gap Year To Write A Book

Dear Internet,
A few weeks ago, I teased there was a big announcement coming, and I am finally in a position to make that announcement:

I’m taking a gap year to write a (fiction) book(s).

Come July 1, 2014, I will officially have the new status of “writer in residence at Throbbing Manor/Cabin.”
Many of you, hell most of the population probably already knows this since I’ve had to tell people privately for a variety of reasons over the last couple of months, but I wanted something official and concrete on paper. I was holding out until I got the official rejection from the job I interviewed for in April1. I was also holding out until I could get in touch with a few close friends so they knew before it became a Facebook status update. I was able to make that last final personal connection on Friday, so here we are!
Here are some of the big questions I’ve been asked: How did I get here, what am I writing, and what is happening with library land?
How did I get here
This is all TheHusband’s idea.
Truly.
He’s known me forever (nearly two decades) and he knows the ultimate goal in my life was to write books. While he’s pretty supportive of my ideas, he also knows me well enough to know I can only handle one big thing at a time; whether that thing is a job, writing, or getting a degree. I’ve conceded long ago I’m not someone who can multitask big projects easily. Before I left my job at UUNet in 2002 to go back to university full time, I had signed up, attended classes, and either dropped or failed out of three colleges. If I wanted my undergrad degree, it had to be THE ONLY thing — I could not work full time and go to class. Once I made it the only thing, then I sailed through it with a breeze (while amping up my GPA from 1.7 to 3.3).
But you know, life happens. It always happens. I had an opportunity to write full time in between degrees, but choose not to because I wanted cash in the pocket,as I was tired of being broke, more than my dream. I had a second opportunity after I graduated from library school and I was on that dreadful job hunt where I applied for 114 jobs over 8 months before landing at GRCC. TheHusband bargained if I could not get a job within 100 applications, I could write full time. I pushed on to 114 as we had just moved to Grand Rapids and boom! Job at GRCC.
“I’ll write part-time,” I said. (Look how well that turned out.)
For the last year, I’ve been in big debate about whether or not to accept the contract when it came up for renewal. Six months ago, I found out they were not renewing my contract and if I wanted to keep my job, I had to reapply just like everyone else on the open market. In January, I knew for sure I was not going to reapply for the position. After making that decision, I started the arduous task of the job hunt version 2.0.
Even during mania, I would get crushed under the soul sucking weight of job hunting and with each opportunity came along, I did not feel elated — I felt like I was being ripped apart. TheHusband and I sat down and ran budget simulations, figures, and possible outcomes across a wide variety of scenarios. Right after I phone interviewed with the California institution, TheHusband came to me and said, “Why not take a year off to write?” His reasoning was it would be much cheaper for us to stay put while I wrote, where we could maintain our current lifestyle (with some heavy regulation), without putting us in massive debt. I lept at the chance. And mentally felt like I lost a massive weight on my soul.
Since we made this decision two days before I was scheduled to fly out for my second interview, we decided if they offered me the job and it was beyond fantastic, I’d take it. Anything else, we would not accept or if I was passed on the position then I would go forth and write.
What am I writing
I’ve got numerous projects already lined up:

  • I’ll be co-editing a non-fiction book on lib/tech/gender issues that is slated to come out next year #fingerscrossed
  • In the fiction realm (which is why I’m taking the time off), I’ve got two books in process (one of them my edwardian series I’ve been keen on for the last three years to finish), and one, possibly two, anthology of short stories based on two different cycles
  • Graphic novel
  • Other projects / ideas
  • Freelance work

TheHusband and I spent some considerable time putting together a business plan (not a typo) on how create, manage, and also make passive income while I’m writing. I still need to work out a schedule, and we’re thinking of getting space at a local a co-working joint. There is a lot of back end work that needs to be done in conjunction while I write.
What is happening with library land
Or more to the point, “What happens if you fail miserably and everyone hates your books?” Easy: I’ll go back into librarianship. TheHusband and I have not defined what it means to be successful yet, but the low bar is any kind of income I can generate from writing. Then who knows.
I’m still very much want to be on the pulse of the profession, so for many of you, it will be like I’ve never left. I’m keeping my memberships and plan to still be active. I’ve got a few projects that I will be working on, but as for the day to day stuff, I won’t be there.
This is already getting far lengthier than I had anticipated, so expect more tidbits and updates on this to continue.
But I just want to say, to those whom I’ve already told and whose support was not even a teeny bit wavering on this new path: THANK YOU! Seriously, I am floored by how supportive people have been. I love you all!
x0x0,
Lisa

This Day in Lisa-Universe:


1. I met my competitor at a conference prior to our interviews and we were in simultaneous shock when we discovered we were both being flown out to do the second round. After my interview, I was told it would be 1-2 weeks for the decision. I found out within that period, from my competitor, they had offered him the job, he had already negotiated his salary, and was in the final throes of finalizing details. I had YET to hear from the institution, so I waited. Three weeks after the interview, I emailed my contact a polite follow up request and it was nearly another week before they got back to me. So we’re a month plus past my interview and I’ve already known via the Internet I didn’t get the job for nearly three weeks of that time.

notes for cabinet particulier, part ii: History of Edwardian postcards

Edwardian postcard.
Edwardian postcard.

Dear Internet,
Today TheHusband, my MIL, ThePug, and myself spent majority of our time in the main living room doing various and sundry tasks. I curled up in a chair with a constant cup of tea near me with ThePug conjoined to my hip as I researched on Cabinet Particulier and juxtaposed the research with recreational reading. TheHusband worked with my MIL on her oral history — she literally is one of the most interesting women in the world. In between bits of cookies, tea, and reading, I gave archivist advice on documenting, curating, and archiving her stories. She, along with my FIL, are published poets and writers and there are plans of TheHusband and I becoming the family historians in the next few years to start documenting their papers and stories to save for future generations.
I have been toying with the idea of my heroine as supplementing her income as an actress by becoming an Edwardian postcard model, which was something many of the actresses of the era did, something I had come across from my initial research a few years ago. As I started falling down that particular research hole this afternoon, I came across this great paper The Edwardian postcard: a revolutionary moment in rapid multimodal communications which discusses a current project at Lancaster University co-directed by the authors. The paper goes into great detail about literacy and accessibility of writing postcards, which lead into it becoming a social phenomenon during the beginning of the 20th century.

  • Mail delivery happened in major cities up to 10 times a day, so responses were often “instant”
  • The average number of postcards written during this period, per person, is 200
  • UK Postmaster General reported to have delivered 6 BILLION postcards during the Edwardian era
  • Postcards were significantly cheaper to send than regular letters (Half penny per postcard as opposed to a full penny for a letter)
  • Postcards could be, and were, written in a very informal style which gave writers more freedom of expression

[Postcards] are utterly destructive of style, and give absolutely no play to the emotions. George Sims circa 1902

I found the above quote amusing since near identical verbiage has been given about Twitter.
The paper and the project were the source of why numerous articles in 2009 popped up about Edwardian postcards and referring to the postcards as the grandfather of social networking.
For those like me who are interested in more history on postcards, and their rise in Edwardian era, below are good points to start out:

If you’re interested in seeing examples of Edwardian postcards, Google, Flickr, and Tumblr each have a treasure trove of examples that should keep you busy for some time.
xoxo,
Lisa

This day in Lisa-Universe: 2012, 2012

notes for cabinet particulier, part i

maudefealy
Maude Fealy, American actress, circa 1901

Dear Internet,
I spent most of last week working on my book by scraping most of my original notes, reworking some plot points, researching down rabbit holes, outlining the first six chapters, and taking copious new notes. I reactivated my Tumblr/Pinterest accounts for the book for inspiration and historical note taking as well as started a Pinboard bundle for other links of research/interest/do-not-forgets.
I am insanely curious of how other people approach their writing habits/research/thought process, even more so on topics of specific interest to me. When I come across these works of fictional interest and there is no research notes, thoughts, or the only comment is something along the lines of “well-researched/heavily researched,” I am suspicious. I am, at heart, a librarian after all and part of my job is to verify the authority of a work. Example: I was looking for other titles in my time period and came across a soon to be released YA title of interest by someone who lived in England for numerous years and showed horses/was a horse trainer. The book has nothing to do with horses, but is about a young girl who is breaks free from social ties to go to art school. Early reviews have been hugely favorable on the work and much of the commentary notes how heavily researched and accurate to the period the book is. Fabulous! Good to know! But where did this person get all their research from since the only bio background they provided was they trained horses and lived in England? Why is there not a bibliography page or something of note to let readers wander through related interests on their own, even on their website?
[Addendum: Krazy Kate, once when we got into a heated debate about Dan Brown, said the whole reason she adored Dan Brown was that he had a bibliography at the end of each book. I have to grudgingly give the man props.]
I purposefully made the conscious effort to keep track of all my research, online and off, for this specific complaint. It keeps me better organized and I know others are looking for the same research so why not keep make it freely available?
My specific interest for the book is 1890s – 1915 or thereabouts, with the main action to take place sometime between 1907-11 England. Depending on the geography, this period is referred to the Gilded Age (US), Edwardian (UK), or Belle Époque (France) with Art Nouveau and Modernism filling in the edges.
I love this period for its swift social, cultural, and technology changes. It was important to me to have a time that I could play with and bend to my will, that things my character do are not so far removed from modernity as we know it, but new enough to raise an eyebrow or two in the time the books are being written. Motor cars, electricity, telephones, indoor plumbing, bicycles, public transportation, portable photography –  the list goes on of the number of things that we take for granted every day but were all coming of age during this period. I wanted my main protagonist to have the latest and greatest but have it still have new enough that it would be considered. I wanted to specifically concentrate before the First World War or even before the Titanic sinks. I wanted the real world to still have a touch of innocence to her before all the chaos of the 20th century takes its hold.
My main protagonist is an American stage actress living in London who makes a modest living and occasionally gets close to being famous except for one thing: She has massive stage fright. She gets such anxiety over public speaking, which has gotten worse as she gets older, she’s barely able to support herself. She is beyond beautiful (Maude Fealy is one of my female inspirations), but she’s getting a little long in the tooth for this acting business and frankly, she’s a bit bored with it all. She has lived a bohemian life (married numerous times our girl has and also counts numerous women of note in her conquests), but she wants something more. She is bestowed a Kodak Brownie from one of her admirers and everything changes.
I wanted her to be “other” enough (American, living/working in England, going against societal rules) that some of her actions would not seem out of line with her personality but with enough toes in the formality of the period to not be rejected from “those who matter.” I imagine it would not be too difficult of a  stretch for her to have dinner with Arthur Conan Doyle, be escorted to a ball given by P.G. Wodehouse, or flirt with Henry James. The working title, Cabinet Particulier, is Edwardian slang to refer to a private rooms, usually in restaurants, where men would meet their mistresses. I liked the sly side wink of the context and the infinite possibilities of the suggestion.
When I got the idea of the book in the summer of 2012, I thought it would be a good idea to research everything from class and behaviour, to theater of the period, even make up and shopping . I also thought it might be a good idea to read authors written in the era and downloaded whatever I could from Amazon (or Project Gutenberg) of  works from G.K. Chesterton, Rudyard Kipling, P.G. Wodehouse, Henry James, Edith Wharton, and so on. Contemporary authors writing fiction in the period are slim, namely as many pick up with the First World War and go forward, or they skip over the Edwardian age by calling it high Victorian and wrap everything under a single bow. I’m half way through Sick of Shadows, the third book the M.C. Beaton Edwardian series, which has been great for research as I’ve been keeping tabs of slang, behaviours, and other things of interest. I’ve also started a list of future reads over at Amazon as I find them.
As always, any suggestions for authors / blogs / interest, please don’t hesitate to pass them along!
x0x0,
Lisa

This day in Lisa-Universe: 2011

Fucked Up College Kids

Simunye's Grandfather
Me, my grandfather, and my brother circa 1979

Dear Internet,
When writing yesterday’s entry, I came across the entry I had written about the death of my grandfather, which was 18 years ago today. The piece was part of a larger series I had written for Fucked Up College Kids, a ‘zine that I got involved with in 1997 and  1998. Shortly after my last entry for F.U.C.K., The Lisa Chronicles went live in July 1998.
I decided in celebration of the season, to make these live again on my site for the first time in nearly a decade. Some of the entries can be triggering, could use a good edit or two, and some of it is chaos in the highest order. But it’s glorious in its innocence.
Enjoy.

x0x0,
Lisa

This day in Lisa-Universe: 2011, 2002