Writing, real writing, is done not from some seat of fussy moral judgment but with the eye and ear and heart; no American writer will ever have a more alert ear, a more attentive eye, or a more ardent heart than his.
This has many beginnings.
12 years ago when Justin and I were mere children living in San Francisco, I whined incessantly that all I wanted to do was write. I had been publishing journal entries online since 1996 but they were random and scattered, in content and location. There was no coherency to them with the exception that they were about me, whether about my life or my emotions, but the running theme was that I was somehow worked into the story. And most of it, whether I remembered it or not, is true.
In the spring of 1998, one my co-workers at Slip.Net told me how she decided to start putting her journal entries online in a diary format. I thought this was brilliant and in May of that year, I registered simunye.org. I thought I was being oh, so clever naming it “The Lisa Chronicles,” because that is all that it is — a chronicle of my life. I knew that it was something that could work: professors had praised my writing during my first foray into college that I had more than enough voice to make a living with the written word. Writing an online diary of sorts seemed to be a natural extension of that same concept – if enough people like it, it would spur me on to write more, push me into honing the craft and make something out of it (like every other 20-something pretentious fuck twit who thinks they can write).
But could I actually make a living off of it? I, then, never even bothered to try and find out.
Justin says that if I”m passionate about writing, really passionate as I exclaim during our near monthly argument on the topic, why am I not doing something with it? Why do I push it away and bind it away from me, like loose hair?